A daddy blog.

Showing posts with label Charles Schultz. Show all posts
Showing posts with label Charles Schultz. Show all posts

17 October 2007

Why Don't You Go and Get Yourself Shot, Charlie Brown

Charles Schultz had some good reasons for his singular unhappiness:
Nor was display of the heart prominent; there was not much touching, Michaelis notices, in family photographs or in Schulz’s memory. When Sparky—as he was called all his life, nicknamed in infancy after the racehorse Spark Plug in the comic strip “Barney Google”returned from the Second World War, in which he had seen overseas combat, he entered his father’s barbershop and the haircut in progress continued. “No one gave me a hug,” the young veteran recalled. “We didn’t have any party. . . . That was it.” In turn, Schulz was gingerly with his own children and shied from physical affection; his cousin Patty testified, “Hugging him was like hugging a tree—he never moved.” At the outset of his wartime service, in 1943, he came home on a day pass to say goodbye to his mother, who was painfully dying of metastasized cervical cancer. In Michaelis’s telling: “He said he guessed it was time to go. . . . She turned her gaze as best she could. ‘Well,’ she said, ‘good-bye, Sparky. We’ll probably never see each other again.’ ” A bleaker deathbed blessing has seldom been recorded.
That said, some of his thoughts about himself ring awfully familiar:
When I was small, I believed that my face was so bland that people would not recognize me if they saw me some place other than where they normally would. I was sincerely surprised if I happened to be in the downtown area of St. Paul, shopping with my mother, and we would bump into a fellow student at school, or a teacher, and they recognized me. I thought that my ordinary appearance was a perfect disguise. It was this weird kind of thinking that prompted Charlie Brown’s round, ordinary face.
The New Yorker goes on to relate details both small (Schultz slashing his son with a hockey stick) and large (the diabolically evil Lucy Von Pelt is based on Schultz's first wife). Art is apparently fueled by life's ugliness.

08 October 2007

Family Made Wealthy By Some of the World's Most Depressing Comics Objects to 'Depressing' Label

Rats.
David Michaelis first contacted the family of Charles M. Schulz seven years ago about writing a biography of Schulz, the creator of the “Peanuts” comic strip. It turned out that Schulz had read Mr. Michaelis’s biography of N. C. Wyeth, and that Schulz’s son Monte also liked the writer’s work. He ended up helping persuade the rest of the Schulz clan to cooperate with Mr. Michaelis, granted full access to his father’s papers and put aside his own novel writing to help him.

But Monte Schulz said that when he read Mr. Michaelis’s manuscript in December, members of the family were shocked by the portrayal of a depressed, cold and bitter man who was constantly going after different women.

Right. Where would anyone get the idea that Schultz might be a cold and bitter depressive? (Those two beams of sunshine are the first Peanuts strips.)

Sarcasm fully off now: WTF, Schultz family? Were you all raised in the Joe Cool era, when the entire comic enterprise had been irreparably Garfield-ified? Schultz's good stuff obviously came from a dark place, and a person's depression doesn't just go away once the MetLife endorsement checks start rolling in.

If Charlie Brown Schultz was able to put aside an obviously pitch-black view of humanity and deliver an an idyllic childhood unto you, that makes all the more worthy of a biography. And a better than average dad.